Tango, c. 1918–1924
Elie Nadelman, American, 1882–1946
Cherry wood and gesso
(.A) male figure: 33 1/2 × 17 1/2 × 13 1/4 inches (85.1 × 44.5 × 33.5 cm) (.B) female figure: 34 3/4 × 17 1/2 × 11 3/4 inches (88.3 × 44.5 × 29.8 cm) oval display base: 36 3/4 inches high
Gift of Mr. and Mrs. Meredith J. Long

Habits of Mind

  • OBSERVE DETAILS Observe details / time to think and reflect


Discussion through works of art encourage how to approach ambiguous and complex ideas, thoughts, and feelings. The MFAH offers a democratic space where students and teachers can develop, practice and articulate these habits of mind. Remember that the quality of the conversation is what is important, not finding the artist’s “answer.” Slow down and take the time to make careful observations. Talk about what you notice, and try to avoid jumping to conclusions and interpretations. Be sure to give enough time for silent looking and thinking.





Social Studies


Observe Details

Connecting to the Work of Art

Born in Poland, Elie Nadelman studied art in Warsaw and Munich. In 1903 he moved to Paris, where he established a sculpture studio that was visited by artists such as Pablo Picasso and Henri Matisse. His work combined the diverse influences of ancient Greek art, modern sculpture, and folk art. Nadelman emigrated to New York in 1914, at the outbreak of World War I. He was immediately drawn to the city’s popular culture—including theater, jazz, dance, and even the circus. Nadelman achieved enormous success and quickly established himself as the nation’s leading avant-garde sculptor. In 1919 he married a wealthy widow who shared his passion for folk art—objects created in traditional ways by artists with little or no formal training. Nadelman became an American citizen in 1927.

Nadelman’s work is infused with the energy and charm of American life. Drawing inspiration from the folk-art dolls that he collected, he created witty and sophisticated sculptures that are at once delightfully nostalgic and strikingly modern. Between 1923 and 1928, Nadelman and his wife spent more than a half million dollars acquiring American folk art. At the time, few people appreciated this art form. In 1926, the Nadelmans opened the Museum of Folk and Peasant Arts, the first museum of its kind in the nation. However, in the wake of the disastrous stock market crash of 1929, they were forced to sell their superb collection— much of which was bought by John D. Rockefeller and Colonial Williamsburg. Nadelman eventually vanished from the art world, and many of the friends he made later in life never knew that he was an artist.


In this masterly work, two doll-like figures perform the tango. Nadelman playfully captures the seductive grace of the dance and the exaggerated posturing of the dancers. Tango is actually two separate sculptures that were intended to be placed together. Nadelman created the sculpture while living in New York and exploring the various entertainments offered by the city. He also created sculptures inspired by other performers, including an orchestra conductor and a woman playing piano.


Tango was carved from the humble medium of cherry wood. Nadelman painted the sculpture with gesso, a chalky pigment mixed with glue. He rubbed and sanded the figures so that they would resemble the aged folk-art sculptures he admired and collected. While this technique creates an impression of naivety, the elegance of the figures is highly sophisticated.

Conversation Starters


  • What are the materials that you see in this sculpture? How would you describe each one?
  • Look at the two figures’ poses. How do their bodies interact with each other? Do they seem at ease?
  • Look closely at the negative spaces created between the figures’ bodies and limbs. How would you describe the composition of this object?


  • How old do you think this object is? Defend your answer. What parts about it seem old? What parts seem modern?
  • Why do you think Nadelman chose cherry wood—a common material—for this sculpture? How would the effect change if Tango were made of polished marble? What about terra-cotta?
  • Nadelman often created artworks based on the performers he loved to watch. If you were making such a sculpture, what kind of performer would you choose? What medium would you use? How would your figure be dressed?


• Nadelman left Europe in 1914, as World War I erupted. Many other artists, writers, and scientists fled Europe for America at this time. Research some of these immigrants and explore their impact on American culture.

• Nadelman was influenced by American popular culture. Investigate music, dance, theater, art, fashion, and other aspects of American life during the period when this sculpture was made.

The Learning Through Art program is endowed by Melvyn and Cyvia Wolff.

The Learning Through Art curriculum website is made possible in part by a grant from the Institute of Museum and Library Services.

All Learning and Interpretation programs at the Museum of Fine Arts, Houston, receive endowment income from funds provided by the Louise Jarrett Moran Bequest; Caroline Wiess Law; the William Randolph Hearst Foundation; The National Endowment for the Humanities; the Fondren Foundation; BMC Software, Inc.; the Wallace Foundation; the Neal Myers and Ken Black Children’s Art Fund; the Favrot Fund; and Gifts in honor of Beth Schneider.