This daguerreotype of Sam Houston, long thought to be lost, was rediscovered in 1990. When this image was taken in 1851, Sam Houston was seriously considering running for president of the United States. The vertical format of this full-plate daguerreotype and the column within the composition emphasize Houston’s height – six feet, two inches – and thus his stature as a leader. With his arms crossed, he assumes a pose of relaxed confidence. Often flamboyant in dress, here Houston wears sober, dark clothes. Especially notable is the clarity of this image, evident in the details of costume, face, and setting.
Houston came to Texas in 1832 from Tennessee, where he had served as a United States congressman and as governor. Texas was at that time under Mexican rule, and Houston became a leader in the Texas independence movement. As commander-in-chief of the Texas troops at the Battle of San Jacinto, he defeated the Mexican forces and won independence for the new Republic of Texas on April 21, 1836. As both the first and third president of the Republic, Houston worked to bring Texas into the United States, eventually succeeding in 1845. Elected to the governorship of Texas in 1859, Houston refused to sign the order to secede from the Union, and thus forfeited his office in 1861.
The Meade Brothers gained a reputation for carefully constructed compositions and technical proficiency. This photograph demonstrates their ability to present many facets of a sitter. Sam Houston is captured as a dynamic leader, masterful politician, and tenacious man. The brothers also became notable for their manipulation of light and shadow, seen here in the way Houston’s eyes appear veiled, as well as the contrast between the dark of his clothing and the light of the nearby column.
The daguerreotype process was one of the two photographic methods introduced in 1839. The daguerreotype had no negative; each photograph was a one-of-a-kind image. A chemical deposit was laid down on a highly polished silver-on-copper plate, then exposed to light in a camera. The full-plate daguerreotype, 8 ½ x 6 ½ inches, could be used whole or it could be subdivided. Framed and signed whole-plate daguerreotypes such as Samuel Houston are exceedingly rare.
To the nineteenth-century public, the amazingly precise detail achieved in daguerreotypes was nothing short of miraculous. Barely one year after its introduction in France, the daguerreotype was in use in the United States. Portrait studios were soon established throughout the country.
In 1842, the Meade Brothers formed their business in Albany, New York, then opened branches in Buffalo and New York City, where this portrait of Sam Houston was probably taken. The impressive list of sitters in the Meade Brothers’ inventory included Kit Carson; Commodore Perry; Lola Montez, a famous actress; Louis Napoleon, Emperor of France; and L.J.M. Daguerre, inventor of the daguerreotype.
